BRKOVI
Brkovi WebsiteBrkovi @ Deezer Brkovi @ Facebook Brkovi @ Instagram Brkovi @ Spotify Brkovi @ YouTube |
MEDICO PESTE
MEDICO PESTE approach common narratives in black metal from a darker and more twisted state of mind than their contemporaries. The band embraces a different look at death, religion, the Devil and his work, by exploring the distorted views of a tormented, neurotic subject and his schizophrenic visions.Medico Peste @ Bandcamp Medico Peste @ Deezer Medico Peste @ Facebook Medico Peste @ Instagram Medico Peste @ SoundCloud Medico Peste @ Spotify Medico Peste @ YouTube |
KAMRA
Atmospheric experimental black metal from Slovenia, drawing influences equally from Norwegian black metal classics, modern death dealers, as well as experimental oddities - Kamra present their own blend of darkness across two complex tracks that challenge perceptions of death. The project was started in isolation to channel creativity in the wake of uncertain times, and the band are already preparing material for a full length album.Kamra @ Bandcamp Kamra @ Facebook Kamra @ Instagram Kamra @ Spotify Kamra @ YouTube |
BLUTSAUGER
Blutsauger is an Italian band that thrives on intensity, atmosphere, and controlled sonic violence. Emerging from the darker edges of the European underground, the band forges a sound that blends heavy riffs, industrial textures, and a sense of cinematic dread into a cohesive and uncompromising identity. Their music moves between crushing heaviness and hypnotic tension, drawing listeners into a world where aggression and precision coexist.Lyrically and conceptually, Blutsauger explores themes of alienation, power, decay, and the darker instincts of modern society. There is a clear visual and emotional focus to everything they do: the band treats each release as a chapter in a larger narrative rather than a collection of isolated songs. This approach gives their material a striking sense of purpose and continuity, both on record and on stage. Known for their disciplined performances and commanding presence, Blutsauger delivers live shows that are as immersive as they are confrontational. Their sound is raw yet meticulously constructed, reflecting an obsession with detail and atmosphere. With a growing reputation beyond Italy’s borders, Blutsauger positions itself as a band that refuses compromise—dark, deliberate, and relentlessly forward-moving. Blutsauger @ Bandcamp Blutsauger @ Deezer Blutsauger @ Facebook Blutsauger @ Instagram Blutsauger @ Spotify Blutsauger @ YouTube |
CHOLERA
hladneš achladneš, nemladneš len chradneš you are hungry and you are cold you're not getting any younger you're just withering away Black Metal in its original and raw essence. Cholera will rape the world. Cholera @ Bandcamp Cholera @ Facebook Cholera @ Instagram |
GAŠPER LETONJA
Proeliumdominus Amphitheatriticusmonachus musica.Gašper Letonja @ Bandcamp Gašper Letonja @ Facebook Gašper Letonja @ Instagram Gašper Letonja @ SoundCloud Gašper Letonja @ YouTube |
PESTILENCE
Pestilence is one of the most influential and enduring forces in European extreme metal. Formed in the Netherlands in 1986, the band quickly rose from the underground with a fierce blend of thrash and death metal, setting new standards for technicality and aggression. Led by founding guitarist and vocalist Patrick Mameli, Pestilence became known for pushing boundaries—musically and conceptually—while remaining uncompromisingly heavy.Their early albums, Malleus Maleficarum (1988) and Consuming Impulse (1989), are widely regarded as genre classics, helping define the sound of late-’80s death metal. With the groundbreaking Testimony of the Ancients (1991), Pestilence expanded their sonic palette, incorporating atmospheric interludes and progressive structures. The bold and jazzy Spheres (1993) further cemented their reputation as innovators unafraid to challenge expectations. After periods of hiatus and rebirth, Pestilence has continued to evolve, delivering critically acclaimed releases that balance technical mastery with raw intensity. Their modern output proves the band remains as adventurous and uncompromising as ever, blending progressive elements, intricate musicianship, and crushing riffs. With decades of history behind them, Pestilence stands as a pillar of progressive death metal—relentless, visionary, and eternally forward-thinking. Pestilence @ Bandcamp Pestilence @ Deezer Pestilence @ Facebook Pestilence @ Instagram Pestilence @ ReverbNation Pestilence @ SoundCloud Pestilence @ Spotify |
KREATOR
Back in 1975, AC/DC’s Bon Scott sung “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)”, five decades later, German metal titans KREATOR might like to change this into “It’s an even Longer Way to the Top (If You Wanna Thrash)” if they were to pen an equally autobiographical track.Synonymous with all the heaviness, speed, energy, violence and sheer volume one associates with heavy metal, KREATOR’s ongoing story is a classic tale: the wondrous adventure of teenagers coming from rags to riches, from the proverbial gutter to literally every stage you can imagine. They went from No. 99 (1986’s “Pleasure To Kill”, the title track was part of Netflix series Dark’s soundtrack) to No. 1 (2017’s “Gods Of Violence”) in their home country’s official album charts, and traveled the world from Tokyo to Santiago, from Bangalore to Los Angeles. In 2025, KREATOR celebrated two outstanding achievements by releasing vocalist/guitarist Miland “Mille” Petrozza’s book “Your Heaven, My Hell” with co-writer Torsten Gross and hitting German cinemas with “Hate & Hope”, the first proper movie about a really loud - to the very day - really extreme metal band not only melting your face with firestorms of pyrotechnics but also music equivalent to searing bursts of hellfire. Starring guests such as Scott Ian (Anthrax), Chuck Billy (Testament), Bela B. (Die Ärzte), Phil Demmel (Kerry King, ex Machine Head), and many more, “Hate & Hope” proves that in a career like KREATOR’s you should always expect the unexpected. Now, it is time to continue this tale of humble beginnings, ambitious visions and unbreakable will, and start its much-anticipated 16th chapter! Entitled “Krushers Of The World”, the new KREATOR album, will be out on Nuclear Blast Records on January 16th, 2026. “Krushers Of The World” is not a shy title, it is a statement, an expression of pride and self-awareness knowing how long and hard the band’s path has been and knowing what they still have to say and share with their ever growing following. After the buzz around the movie and book, it is time for KREATOR to let the riffs, the roaring vocals, and thunderous drums do the talking. Kreator Website Kreator @ Bandcamp Kreator @ Deezer Kreator @ Facebook Kreator @ Instagram Kreator @ SoundCloud Kreator @ Spotify Kreator @ X Kreator @ YouTube |
CARCASS
Ferocious and uncompromising in their execution, CARCASS’s ability to intricately dissect the innards of death metal, and display them for us to sonically understand has been their point of excellence for over three decades. On December 2019 the band released their first single in over 5 years “Under The Scalpel Blade,” followed by a 4 song EP entitled Despicable (October 2020), setting a potent precedent for the full length album to come in 2021: TORN ARTERIES. With the album title itself referencing an old demo created by original drummer Ken Owen back in the 80’s, TORN ARTERIES sits as a bookend on the modern side of the CARCASS discography, connecting directly back to where everything began over 30 years ago.The album artwork also rings reminiscent of the grotesque photography that appears on classic CARCASS album covers like Reek Of Putrefaction or Symphonies of Sickness. Artist Zbigniew Bielak traveled outside his normal wheelhouse to bring forth a time lapsed set of photos showing vegetables shaped like a heart, rotting over time upon a white plate. This form of artwork was influenced by Japanese Kusôzu, meaning: ‘painting of the nine stages of a decaying corpse.’ With TORN ARTERIES, each track stands unique from the rest in its approach to guitar, bass, vocals and drumming, along with all the finer details. Filthy and dominating guitar work creates thick layers of tone and melody, piling on top of each other like the weight of dead flesh in tracks like “Kelly’s Meat Emporium.” Curious about the lyrics? CARCASS bets you are, but don’t expect them to be an easy puzzle to solve. Over the years metalheads the world over have referenced CARCASS’s complex, bizarre, and gore filled lyrics with affection, humor, and fascination. This time around will require fans to actually purchase the physical album, and closely examine the artwork in order to place the lyrics in their proper order. Most will find that the only real struggle when indulging in TORN ARTERIES is fighting the desire to start it over the second it finishes. It covers substantial new ground for a band with such a reputation, while still retaining that addictive, time honoured CARCASS sound that has come to represent the face of true death metal. Carcass @ Bandcamp Carcass @ Deezer Carcass @ Facebook Carcass @ Instagram Carcass @ ReverbNation Carcass @ SoundCloud Carcass @ Spotify Carcass @ X Carcass @ YouTube |
EXODUS
When we think of the phrase Bonded By Blood, we think of two things: a brotherhood that is meant to outlast the trials of war, pain, and time... and the almighty EXODUS. With a bond forged in youth and decades-old friendship, the undisputed masters of thrash metal return with their eleventh studio album: PERSONA NON GRATA due to be released early fall 2021 via Nuclear Blast Records. Literally translating to “an unwelcome” or “unacceptable” person, PERSONA NON GRATA touches on themes of modern societal disgust and degradation. “The people that disgust you - cut ‘em out like cancer,” explains guitarist Gary Holt. “Who is that person? It could be anybody. That’s up to the listener. Who is ‘Persona Non Grata’ to them?”The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.” For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks. Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.” Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.” For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.” EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering. “As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.” Exodus Website Exodus @ Deezer Exodus @ Facebook Exodus @ Instagram Exodus @ ReverbNation Exodus @ SoundCloud Exodus @ Spotify Exodus @ X Exodus @ YouTube |
NAILS
For the first time in over 8 years, the blistering assault on our nervous system that can only be described as the sound of NAILS, has reemerged. With Carlos Cruz on drums, Andrew Solis on Bass, Shelby Lermo on Guitars, and Todd Jones on guitar & vocals, the upcoming studio album, EVERY BRIDGE BURNING, will be revealed August 30th, 2024 via Nuclear Blast Records.For this 4th full length album, NAILS have channeled raw emotion into tracks like “Imposing Will”, a seismic event in the realm of sonic aggression; igniting the pulse, and fueling a fire of hostility. “[This track is] special to the record in that I knew we wanted it to be the opener,” explains founder Todd Jones. “We wanted it to have the effect of an urgency; an immediacy in the music itself. When you push play, you get smacked in the face.” Similarly, “Give Me the Painkiller” hints at an intricate groove while simultaneously causing the urge to peel your skin off. There exists a wild energy that according to Jones is the band’s “most expressive guitar playing” in their history. Plunge into “Punishment Map”, and confront the decades of misery brought about by Golden State serial killer Joe D'Angelo—a relentless descent into the abyss of human suffering. The guitar work on EVERY BRIDGE BURNING is an expansive force in its own right, epitomized in tracks like, No More Rivers to Cross. Here, NAILS masterfully navigates a spectrum of moods, showcasing fluidity and intensity that is quintessentially NAILS yet profoundly evolved. The album artwork, a creation by Jeff Whitehead, serves as a visual prelude to the auditory chaos—a stark representation of the aural brutality that NAILS delivers. “I really wanted to work with Whitehead again,” explains Jones. “I wanted the artwork to represent the sound of NAILS visually, and to reference the same figure from our last album cover.” The writing process for this album was no different than in record cycles of the past. The foundations of songs are born from riffs, and it is around these riffs that entire tracks are eventually composed. “Our writing process is about building songs,” explains Jones, “not just sitting down and writing them straight through all at once.” Recording for the album commenced in Massachusetts at God City Studio with Kurt Ballou (of CONVERGE), whose contribution is integral to the NAILS sound, as elucidated by Jones: “we’ve recorded every album with Kurt. He’s such an important ingredient as to how we present our music. When our fans want to hear NAILS, they want to hear something that is through the filter of Kurt’s engineering.” Most importantly, EVERY BRIDGE BURNING was born out of unwavering dedication to NAILS fans and the underground music scene. It echoes their commitment to authenticity and raw power. NAILS remains a beacon of rebellion and resilience in a world hungry for genuine expression. With no shortage of effort or meticulous song arrangement, the time has arrived to become engulfed in the ferocity of NAILS once again as EVERY BRIDGE BURNING unveils a new, but familiar chapter in extreme music. “This band was modeled after some of my favorite bands; the type of bands where, when they put out an album, you know what it’s going to sound like,” describes Jones, “it’s the delivery of the expectation.” The sensory destroying musical onslaught that we’ve all been missing is back. Nails @ Bandcamp Nails @ Deezer Nails @ Facebook Nails @ Instagram Nails @ Spotify Nails @ X Nails @ YouTube |
VACUOUS
Vacuous are a UK death metal band forging a reputation for music that is as psychologically unsettling as it is sonically violent. Drawing from the darkest corners of death metal, doom, and noise, Vacuous channel themes of isolation, paranoia, and societal decay into a sound that feels claustrophobic, hostile, and deeply human. Their music is less about technical excess and more about atmosphere, weight, and emotional impact — riffs crawl and convulse, rhythms grind with oppressive intent, and vocals emerge like fractured internal monologues dragged into the open.Formed in London, Vacuous have steadily carved out their own space within the UK underground, standing apart through a willingness to embrace discomfort and ambiguity. Their releases are marked by a raw, confrontational aesthetic that refuses polish in favour of authenticity, creating records that feel lived-in, damaged, and disturbingly intimate. Live, the band translate this intensity into performances that are immersive and punishing, blurring the line between performer and audience and leaving little room for detachment. Vacuous represent a modern strand of death metal that looks inward as much as outward — confrontational without theatrics, heavy without cliché, and uncompromising in both sound and vision. Vacuous @ Bandcamp Vacuous @ Deezer Vacuous @ Facebook Vacuous @ Instagram Vacuous @ Spotify |
SIDEREAN
Astral Death Metal from Slovenia.Members: Jan Brišar – vocals David Kocmur – guitar Darian Kocmur- drums Lovro Babič – bass guitar Matija Dolinar – guitar Siderean @ Deezer Siderean @ Facebook Siderean @ Instagram Siderean @ Spotify |
BASTARD MYCOSIS
Bastard Mycosis are a UK death metal band festering at the intersection of filth, fury, and finely honed brutality. Drawing their name and aesthetic from decay itself, the band channels the relentless rot of old-school death metal through a modern, punishing lens. Their sound is dense and corrosive: downtuned riffs crawl and crush, blastbeats erupt without warning, and guttural vocals spew visions of biological horror, social collapse, and existential decay.Rooted in the raw spirit of classic British extreme metal but unafraid to push into darker, more oppressive territory, Bastard Mycosis balance groove and chaos with surgical precision. Each track feels like an outbreak—slow-building tension giving way to violent release—designed to hit hard both on record and in the live arena. Lyrically, the band explore themes of contamination, degeneration, and the grotesque underside of humanity, using vivid imagery and bleak narratives rather than cheap shock. The result is music that is as unsettling as it is addictive. With a reputation for intense, no-frills live performances and an uncompromising approach to songwriting, Bastard Mycosis stand as a rising force within the UK death metal underground—spreading sonic infection wherever they play, and leaving scorched earth in their wake. Bastard Mycosis @ Instagram Bastard Mycosis @ SoundCloud Bastard Mycosis @ Spotify |
EIHWAR
Get ready for the wild electro folk of EIHWAR! These "Enfants Terribles" aren’t here for solemn atmospheres—their fierce and festive fantasy is made for raging Viking dancefloors. Backed by Season of Mist (home to Heilung and Danheim), Eihwar burst onto YouTube in 2023 and hasn’t slowed down since. With millions of views and festival appearances at Hellfest, Wacken Open Air, and Midgardsblot at the Midgard Viking Center in Norway, they bring a new wave of Norse power shaking across Europe.Eihwar Website Eihwar @ Facebook Eihwar @ Instagram Eihwar @ Spotify Eihwar @ TikTok Eihwar @ YouTube |
MIRA CETI
Mira Ceti is a French music artist whose work orbits the space between intimacy and immensity. Drawing inspiration from celestial imagery, emotional fragility, and modern electronic textures, she crafts songs that feel both deeply personal and expansively cinematic. Her name, borrowed from a variable star in the constellation Cetus, reflects the essence of her artistry: constant transformation, subtle intensity, and luminous unpredictability.Blending elements of alternative pop, ambient electronica, and dream-laden sound design, Mira Ceti creates immersive sonic worlds where atmosphere is as important as melody. Her voice moves effortlessly from whispered vulnerability to confident, hypnotic presence, often carrying themes of identity, longing, and quiet rebellion. Each release feels carefully sculpted—minimalist on the surface, yet rich with emotional detail beneath. Based in France, Mira Ceti positions herself beyond trends, focusing instead on timeless moods and honest expression. Her visuals and aesthetics echo her sound: ethereal, nocturnal, and slightly otherworldly. Whether experienced through headphones in solitude or filling a darkened room, her music invites listeners to slow down, look inward, and drift. Mira Ceti is an artist in motion—subtle but striking, elusive yet resonant—offering a sound that lingers long after the final note fades. Mira Ceti @ Bandcamp Mira Ceti @ Facebook Mira Ceti @ Instagram Mira Ceti @ Spotify Mira Ceti @ YouTube |
IOTUNN
Formed in 2015 by Danish guitarists and brothers Jesper and Jens Nicolai Gräs, Iotunn (the name meaning “giant” in Old Norse) quickly established themselves as a powerful force in modern metal. What began as an exploration into space-rock and progressive metal evolved into a signature style blending progressive, melodic death and epic metal — dense with atmosphere, raw energy, and sweeping soundscapes.Iotunn debuted with the EP The Wizard Falls in 2016, before solidifying their lineup with the addition of Faroese vocalist Jón Aldará in 2018 and bassist Eskil Rask in 2019, alongside founding members and drummer Bjørn Wind Andersen. Their debut full-length album Access All Worlds arrived in 2021 via renowned label Metal Blade Records, showcasing their evolving sound — a cinematic journey through space, existential questions, and intense sonic contrasts. In October 2024, Iotunn returned with their second album, Kinship, a bold, expansive record that immerses listeners in atmospheric, melodic and brooding soundscapes. Critics have praised it for its intricate compositions, emotional depth, and the band’s ability to merge brutality and beauty seamlessly. With a blend of technical prowess, emotive storytelling and a rich, Nordic-inflected metal sound, Iotunn continues to push the boundaries of progressive and melodic death metal — forging a path that is both epic in scale and deeply human in emotion. If you seek music that journeys beyond the ordinary, Iotunn invites you to join their voyage. Iotunn @ Bandcamp Iotunn @ Deezer Iotunn @ Facebook Iotunn @ Instagram Iotunn @ SoundCloud Iotunn @ Spotify Iotunn @ YouTube |
IN VAIN
Hailing from Kristiansand, Norway, In Vain has been a pioneering force in Norwegian progressive extreme metal since 2003. Founded by guitarist Johnar Haaland and vocalist Andreas Frigstad, the band's melodic extreme metal sound, set them apart early on.In 2007, In Vain released their first full-length album, "The Latter Rain", a collaborative effort with nearly 20 guest musicians, showcasing their prowess in diverse, progressive arrangements.Subsequent albums like "Mantra" (2010) and "Ænigma" (2013) continued to push musical boundaries. "Currents", a double-edition masterpiece exploring contemporary societal shifts was then released in2018. Declared"Album of the Year" and garnered perfect scores from various publications worldwide, including 10/10 ratings from Metal Temple (UK), Metal Only (GER), and Heavy-Metal.de (GER) to name a few. With a rich history of live performances, including European tours with Solefald, Borknagar, Vreid and Keep of Kalessin. In Vain remains a powerhouse in extreme metal, captivating audiences with their dynamic compositions, and their reputation as a force in progressive extreme metal is firmly established. The band's ability to seamlessly blend progressive drive, playfulness, touching vocals, and metallic hardness sets them apart, as attested by reviews such as “In Vain proves once again that they are masters of their art...”-Culture Addict (FR) In Vain stands as a testament to the enduring innovation within progressive metal, shaping the future of the genre. Their upcoming album “Solemn” is set to release in 2024. In Vain Website In Vain @ Bandcamp In Vain @ Deezer In Vain @ Facebook In Vain @ Instagram In Vain @ Spotify In Vain @ X In Vain @ YouTube |
NEPHYLIM
Nephylim is a Dutch Melodic Death Metal formation formed in ‘s-Hertogenbosch. Striving with a fiery passion for Melodic Death Metal, excelling in a storm of melancholy and ground-trembling heaviness. Captivating melodies and progressive passages forge the wintered (Gothenburg-esque) sound and dynamics, which Nephylim knows how to use with determination.Circulating within the emerging concept of life and overlapping abstractness of nature; they portray their live performance in a daunting and magnifying way, providing an unique and unified experience for the audience. Nephylim Website Nephylim @ Bandcamp Nephylim @ Deezer Nephylim @ Facebook Nephylim @ Instagram Nephylim @ Spotify Nephylim @ YouTube |
AFTERSHÖCKUltimate Motörhead Tribute. |
BLACK CAMO
Death/thrash metal band from Slovenia.We like to drink beer and mosh. We love camels! Black Camo @ Bandcamp Black Camo @ Deezer Black Camo @ Facebook Black Camo @ Instagram Black Camo @ Spotify Black Camo @ TikTok Black Camo @ X Black Camo @ YouTube |
BRITOF
Graveyard rocknroll from the bowels of hell!Britof offers you a dose of filth, blasphemy, guts, doom and gore... Hail satan! \m/ Bass/vox: Kokta Guitar: Pok Drums/vox: Alex Britof @ Bandcamp Britof @ Deezer Britof @ Facebook Britof @ Instagram Britof @ SoundCloud Britof @ Spotify Britof @ X Britof @ YouTube |
GLISTA
A Grindcore superposition of punk and metal, reflecting a wide spectrum of influences that include many old school hc-punk, crust, death, thrash, black metal bands, in addition to some classical music and a pinch of disco.Members: Matija Majcen - Vocals Gašper Flere - Guitars Denis Golob - Guitars Rok Novak - Bass Ivan Francuski - Drums Glista @ Bandcamp Glista @ Deezer Glista @ Facebook Glista @ Instagram Glista @ Spotify Glista @ YouTube |
MARJETICE
Marjetice is a ferocious death/thrash metal band hailing from the north-eastern part of Slovenia, carving their name into the underground scene with raw power and unrelenting energy. Blending the razor-sharp aggression of thrash with the crushing weight of death metal, their sound also ventures into the chaotic realms of hardcore and groove metal - creating a sonic assault that defies boundaries. In October, they unleashed their debut single, "Outer Gods", a blistering introduction to their dark and aggressive world. December saw the release of their first EP “Blossoming into decay”, a relentless barrage of riffs and guttural fury that promises to leave no survivors.Marjetice @ Deezer Marjetice @ Facebook Marjetice @ Instagram Marjetice @ Spotify Marjetice @ TikTok Marjetice @ YouTube |
SKYEYE
Name of God, the face of death, keeper of time, or just a blind man's lie?SkyEye - the powerful Slovenian heavy metal force was founded in 2014 by guitarist Grega Stalowsky, bassist Primož Lovšin, singer Jan Leščanec, guitarist Uroš Kušar, and drummer Sandi Ponjavič. SkyEye got its current line-up in 2016 when guitarist Marko Kavčnik and drummer Jurij Nograšek joined the band. Unique and powerful vocals combined with raw and melodic guitar riffs give the band its signature heavy metal sound, reminiscent of other legendary giants of the genre. SkyEye music was introduced to the public with the release of its first single Jerusalem in 2016, followed by the first official music video for the song Run for your life, which was released in 2017. SkyEye's producer/mixing engineer Grega Smola Crnkovič is behind the helm since the band's first demo recordings and is an integral part of the "SkyEye sound". The band made its debut live appearance in the June of 2017, and only four months later brought out its first EP under the title Run for Your Life. The overwhelmingly positive response and strong support at their performances drove the SkyEye back into the studio to record their debut album DIGITAL GOD, which was released on November 9, 2018. Soon after the release SkyEye become one of the flag bearers of Slovenian metal. With the appearance at a live stream event named European metal festival alliance, which happened during the pandemic in august of 2020, SkyEye got its first big international exposure when it was chosen by Metaldays festival (the biggest Slovenian metal festival) as their representative. After the festival, SkyEye got its first record deal with a German record company named Reaper Entertainment Europe and new management. The single and the music video for the song Constellation was released in august of 2020, announced the release of SkyEye's second album named Soldiers of Light, which was recorded during the pandemic and was released in the June of 2021 via Reaper Entertainment. The album immediately gains the interest of the international metal community. Soldiers of Light was ranked third in the Rock Hard magazine and fourth in Rock It magazine among the new releases during the magazine's summer issues. SkyEye was recognized as the newcomer of the year 2021 by the MetalHammer magazine and was voted on a fifth-place among the newcomers of the year 2021 by the readers of the Rock Hard magazine. The boys are currently working on SkyEye's third album and are eager to hit the road! SkyEye Website SkyEye @ Bandcamp SkyEye @ Deezer SkyEye @ Facebook SkyEye @ Instagram SkyEye @ SoundCloud SkyEye @ Spotify SkyEye @ YouTube |
THE CANYON OBSERVER
The Canyon Observer are a boundary-pushing experimental band from Ljubljana, Slovenia, known for forging a visceral and unpredictable sound that blends post-metal, doom, sludge, black metal, noise and avant-garde influences into something uniquely their own. Formed in 2011, the five-piece quickly gained attention for their powerful, immersive live performances and sprawling compositions that evolve slowly but leave a lasting impact.The band’s early releases — including their debut EPs Chapter I and Chapter II — laid the groundwork for their relentless sonic explorations. Their first full-length album FVCK (2015) propelled them onto stages across Europe and even Cuba, and was followed by the intense and experimental sophomore album NØLL (2018), which further expanded their distinct voice. In 2023, The Canyon Observer unveiled Figura, a bold project that pushes beyond metal’s traditional boundaries by incorporating cello and saxophone, drawing from classical, free jazz and noise traditions to create a living, breathing sonic organism. Celebrated for their fearless creativity and continually evolving sound, The Canyon Observer remain one of Slovenia’s most compelling and innovative experimental music acts — defying expectations and redefining the contours of heavy music. The Canyon Observer Website The Canyon Observer @ Facebook The Canyon Observer @ Instagram The Canyon Observer @ YouTube |
SIX FEET UNDER
Six Feet Under is a legendary American death metal force hailing from Tampa, Florida, formed in 1993 by vocalist Chris Barnes originally as a side project alongside guitarist Allen West of Obituary. After Barnes’ departure from Cannibal Corpse in 1995, Six Feet Under quickly evolved from a passion project into a full-time band, releasing their influential debut Haunted that same year and helping define the U.S. death metal sound with their groove-laden, crushing riffs and guttural vocals.Over three decades, the band has released 14+ studio albums, establishing themselves as one of the best-selling death metal acts in the United States and a consistent force on the metal scene. They are known for brutal yet infectious songs that blend death-and-roll swagger with relentless heaviness — a trademark that has kept fans engaged from early classics like Warpath and Maximum Violence to recent works. Today’s lineup features founding frontman Chris Barnes, alongside bassist Jeff Hughell, drummer Marco Pitruzzella, and guitarists Ray Suhy and Jack Owen — the latter rekindling a creative partnership with Barnes that has been central to the band’s recent output, including their 2024 release Killing for Revenge. Always pushing forward without sacrificing their brutal roots, Six Feet Under continue recording and touring worldwide, proving their legacy is far from buried. Six Feet Under @ Bandcamp Six Feet Under @ Deezer Six Feet Under @ Facebook Six Feet Under @ ReverbNation Six Feet Under @ SoundCloud Six Feet Under @ Spotify Six Feet Under @ YouTube |
EMBRYONIC AUTOPSY
Embryonic Autopsy is a death metal band with one goal: To bring back 90s old school brutal death metal.Embryonic Autopsy @ Deezer Embryonic Autopsy @ Facebook Embryonic Autopsy @ Instagram Embryonic Autopsy @ Spotify Embryonic Autopsy @ X |
DEATH TO ALL
Founded in 1984 by Chuck Schuldiner under the original name of Mantas in Altamonte Springs, Florida, Death was among the more widely known early pioneers of the death metal sound, along with California’s Possessed. Inspired by Nasty Savage, Death was among the first bands in the Florida death metal scene. In the late 80s, the band was both a part of and integral in defining the death metal scene which gained international recognition with the release of albums by a number of area acts.Death to All operates as a tribute band to the original Death, which dissolved in 2001 following the passing of the group’s founder and frontman Chuck Schuldiner. The backbone of Death to All is singer/guitarist Max Phelps (Exist, Cynic), drummer Gene Hoglan (Dark Angel, Testament), bass beast Steve DiGiorgio (Testament, Sadus) and Bobby Koelble (Death). Death to All is a unique opportunity for a new generation of metalheads to experience the genius of Death and Chuck Schuldiner first-hand. Death to All @ Facebook Death to All @ Instagram |
STAHLZEIT
The German band Stahlzeit formed in 2004 and has since made a name for itself as one of the most spectacular tribute-acts in Europe. They specialise in covering the hit songs of the influential Neue Deutsche Härte band Rammstein, replicating not just the sound but also the visual excess of the original: heavy riffs, industrial grooves, flaming stage effects, and dramatic choreography.Although the group’s roots go back to 2004, their tribute-project became fully active around 2005. Their frontman, Hefried “Heli” Reißenweber, became central to the band’s identity thanks to a voice and on-stage presence that strongly evoke Rammstein’s singer, Till Lindemann. Over the years, Stahlzeit have honed their craft, offering shows with up to 2½ hours of performance, dozens of trucks and a large crew travelling across Europe. The key to Stahlzeit’s success lies in the faithfulness of their tribute: they don’t merely play the songs, they recreate the spectacle—pyrotechnics, costumes, staging, lighting—everything evocative of the original band’s live theatrics. For example, at the song “Mein Teil” the band uses butcher-costumes and even a large cauldron, mimicking one of the iconic moments from Rammstein’s shows. Reviewers and fans frequently note that the experience of attending a Stahlzeit show is nearly on par (in terms of theatricality) with that of the original band. Today, Stahlzeit perform up to 70-80 shows a year and tour major venues across Europe. In 2025/26 they launched a special “20 Plus” anniversary tour, marking two decades of the project. Their prominence is such that many refer to them as the number-one Rammstein tribute band—especially for fans who may not have the opportunity to see the original act live. Their shows provide both a faithful homage to Rammstein’s legacy and a stand-alone live event with its own energy and intensity. In short, Stahlzeit stand at the intersection of homage and theatrical rock spectacle—balancing deep respect for their muse with their own commitment to live show excellence. If you enjoy heavy-industrial music, dramatic staging and immersive concert experiences, they’re a compelling band to check out. Stahlzeit Website Stahlzeits @ Facebook Stahlzeit @ Instagram Stahlzeit @ YouTube |
